Isabelle Bodenseh
Foto: Car­o­la Schmitt

Isabelle Bodenseh

The flutist moves fluidly across the boundaries of jazz, rock, classical, and world music. After Flowing Mind (GLM), the successful album of her formation, the Isabelle Bodenseh Quartet, this exceptional musician of the jazz scene has a surprise in store—one that will reveal her full artistic spectrum. Even her résumé shows how Isabelle Bodenseh draws on her extensive and profound musical knowledge in diverse ways.

Isabelle Bodenseh loves and lives music.

From an ear­ly age, the half-French musi­cian real­ized that a clas­si­cal music degree with the goal of becom­ing an orches­tral musi­cian was not enough for her. The free­dom she sought was nei­ther found in clas­si­cal music nor in the role of an orches­tra play­er. She found it in jazz and impro­vised music. After set­ting aside her orches­tral stud­ies and pur­su­ing a degree in music edu­ca­tion in Frank­furt in the ear­ly 1990s, Isabelle Bodenseh con­tin­ued the path of free music, study­ing with jazz flutist and com­pos­er James New­ton in Los Angeles.

After half a year of stud­ies in the home­land of jazz, she moved on to Cuba. In Havana, with the help of a one-year DAAD schol­ar­ship, she not only learned Latin flute from the most renowned Cuban musi­cians but also stud­ied com­po­si­tion with Andrés Alén and toured with Cuban bands. Since then, Isabelle Bodenseh has incor­po­rat­ed her glob­al musi­cal exper­tise into numer­ous projects. She has per­formed in ensem­bles such as Chan­tal, Ver­quer, Son Aché, La Ser­e­na, and Sis­ters in Jazz Inter­na­tion­al, as well as work­ing as a the­ater and stu­dio musi­cian on over 30 CD pro­duc­tions, includ­ing play­a­longs for the renowned Schott music pub­lish­ing house.

In 2016, along­side her role as an impro­vi­sa­tion lec­tur­er at the Frank­furt Uni­ver­si­ty of Music and Per­form­ing Arts—where she has been teach­ing since 2000—she found­ed the Jazz à la Flute plat­form to bring the flute fur­ther into the jazz spot­light. This ini­tia­tive not only led to the cre­ation of an impro­vi­sa­tion acad­e­my but also to her heart­felt project: a duo with gui­tarist Loren­zo Petroc­ca. She expand­ed the flute fam­i­ly beyond the stan­dard con­cert flute to include the alto and the par­tic­u­lar­ly intrigu­ing bass flute.

The Isabelle Bodenseh Quar­tet, found­ed in 2018, fea­tur­ing flute, gui­tar, Ham­mond organ, and drums, evokes the sound of 1960s record­ings with gui­tarist George Ben­son and flutist Joe Farrell.

Bodenseh’s band—featuring Loren­zo Petroc­ca on gui­tar, Thomas Bauser on Ham­mond organ, and Lars Binder on drums—forms a swing­ing rhythm sec­tion over which the flute can ful­ly unfold and take soar­ing solo flights. Along­side radi­ant melod­ic pas­sages, the funky and per­cus­sive aspects are not neglect­ed. Tours have already tak­en the live­ly flutist and her band across Europe. The new, now fifth album, with her lyri­cal flute voice, will also be pre­sent­ed live.

Isabelle Bodenseh
Foto: Car­o­la Schmitt