Marty Isenberg "The Way I Feel inside"
© Eri­ka Kapin Photography

Marty Isenberg

The much sought-after New York bassist Marty Isenberg has created an autobiographical jazz drama with “The Way I Feel Inside.” Inspired by the retrospective nature of Wes Anderson films and his selection of music from the 60s and 70s, Isenberg combined songs by Eliot Smith, Nick Drake, David Bowie, the Zombies, and the Kinks with newly arranged improvisations.

Marty Isenberg and The Way I Feel Inside: Jazz drama for the intrepid

Jazz and its form. Since the begin­ning of the 20th cen­tu­ry, via blues, dix­ie, swing, bebop, rub­bing shoul­ders with the crossover of Euro­pean clas­si­cal music, and final­ly in the dia­log of free impro­vi­sa­tion, it remains a liv­ing fas­ci­na­tion. The much sought-after New York bassist Mar­ty Isen­berg has cre­at­ed an auto­bi­o­graph­i­cal jazz dra­ma with The Way I Feel Inside.” Inspired by the ret­ro­spec­tive nature of Wes Ander­son films and his selec­tion of music from the 60s and 70s, Isen­berg com­bined songs by Eliot Smith, Nick Drake, David Bowie, the Zom­bies, and the Kinks with new­ly arranged impro­vi­sa­tions. The album, released in 2023, was high­ly praised by lead­ing music crit­ics, and streams are in the hun­dreds of thousands.

On stage, Mar­ty Isen­berg invites the audi­ence to share the dra­matur­gi­cal­ly designed music sym­bol­iz­ing loss, change, uncer­tain­ty, reori­en­ta­tion, and fearlessness. 

In a dia­logue between the mod­er­a­tion and the music, Mar­ty Isen­berg on bass, vocal­ist Sami Stevens, Rodro­go Recabar­ren on drums, and  Ali­cyn Yaf­fee on gui­tar lead the audi­ence through 90 min­utes of enter­tain­ing pro­gram, highs and lows, end­ing in an encour­ag­ing liberation.

Dr. Mar­ty Isenberg’s career as a jazz musi­cian began at the age of 12, after los­ing his father to can­cer the year pri­or. A skilled ama­teur musi­cian, Marty’s father kept many instru­ments around the house that he would play for the fam­i­ly. After his death, Mar­ty would pull one of these instru­ments off the wall and begin teach­ing him­self how to play by read­ing tab­la­ture in Bass Play­er Mag­a­zine. Play­ing bass was love at first pluck for Mr. Isen­berg. It was a cathar­tic heal­ing expe­ri­ence, a way to stay con­nect­ed to his father, and a way to cre­ative­ly express himself.

He went on to study at the New School for Jazz and Con­tem­po­rary Music, where he majored in Jazz Per­for­mance and minored in Jazz Com­po­si­tion. He received his Mas­ter of Music degree from New York Uni­ver­si­ty, and lat­er com­plet­ed his doc­tor­ate at Stony Brook University. 

For almost 20 years, Mr. Isen­berg has been part of the rich New York City music scene. His per­form­ing career weaves through many styles of music, from jazz to clas­si­cal music to the­ater and con­tem­po­rary music. Mr. Isen­berg pulls from all of these expe­ri­ences to arrange the music of his debut album, The Way I Feel Inside: Inspired by the Films of Wes Ander­son, adding his own voice and reimag­in­ing the music that helped to shape his own musi­cal identity. 

He is an endors­ing artist for Aguilar Amps, DR Strings, Fend­er Gui­tars, and Radi­al Engi­neer­ing. He has per­formed for Radio City Christ­mas Spec­tac­u­lar, Kiss Me Kate, The Lion King, A Beau­ti­ful Noise, and Fun Home on Broad­way. Fur­ther­more, he has toured inter­na­tion­al­ly with the Dave Juarez Trio and Soul Doc­tor the musi­cal, and he is the cofounder and CEO of the Clin­ton Hill Music School in Brooklyn.

Marty Isenberg
© Eri­ka Kapin Photography